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		<title>Fitzcarraldo</title>
		<link>http://dacasinha.wordpress.com/2010/07/31/fitzcarraldo/</link>
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		<pubDate>Sat, 31 Jul 2010 20:47:47 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[fitzcarrando]]></category>
		<category><![CDATA[werner herzog]]></category>

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		<title>A construção de muros, mundo afora</title>
		<link>http://dacasinha.wordpress.com/2009/04/11/a-construcao-de-muros-mundo-afora/</link>
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		<pubDate>Sat, 11 Apr 2009 01:02:47 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Política]]></category>
		<category><![CDATA[injustica social]]></category>
		<category><![CDATA[muros]]></category>
		<category><![CDATA[pobreza]]></category>

		<guid isPermaLink="false">http://dacasinha.wordpress.com/?p=191</guid>
		<description><![CDATA[El arquitecto lleva dos décadas en Brasil y es un ferviente opositor a la construcción de muros como forma de frenar el crecimiento de los barrios pobres. Aquí analiza el significado urbano, social y político de una medida de ese tipo. Por Soledad Vallejos, en Página 12 “Los muros siempre son contra alguien”, señala el arquitecto <a href="http://dacasinha.wordpress.com/2009/04/11/a-construcao-de-muros-mundo-afora/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=191&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>El arquitecto lleva dos décadas en Brasil y es un ferviente opositor a la construcción de muros como forma de frenar el crecimiento de los barrios pobres. Aquí analiza el significado urbano, social y político de una medida de ese tipo.</p>
<p>Por Soledad Vallejos, en <a href="http://www.pagina12.com.ar/diario/elpais/1-122986-2009-04-10.html">Página 12</a></p>
<div id="cuerpo" style="font-size:13px;">
<p class="margen0">“Los muros siempre son contra alguien”, señala el arquitecto Jorge Jáuregui, nacido en la Argentina, radicado en Brasil y autodefinido urbanista latinoamericano. “Cuando se levanta un muro, real o imaginario (porque muchas veces comienzan por lo imaginario y luego se van materializando), nunca se hace a favor de nada”, insiste, con la autoridad de haber estudiado el tema de cerca, tanto como uno de los hacedores del programa Favela Barrio en Río de Janeiro, como en su carácter público de crítico del muro para detener el crecimiento de las favelas de la misma ciudad.</p>
<p><strong>–Que se levanten estos muros en situaciones de frontera, en sentido social y político, ¿significa que fracasaron todas las demás respuestas posibles?</strong></p>
<p>–Es una capitulación por anticipado del poder público, en el sentido de que son decididos por un poder público que no confía en su propia capacidad de fiscalización a la hora, por ejemplo, de mantener el control sobre lo construido y lo no construido, como en el caso de las favelas. Cuando se hace un muro para dividir, para cortar, no se tiene en cuenta que lo primero que uno piensa al encontrarse frente a él es cómo pasar al otro lado. En este momento, estoy trabajando en un área que se llama Complejo de Manguinhos, conformado por un conjunto de 11 favelas, divididas al medio (cinco quedan de un lado, seis del otro) por el tren. Esa vía de tren está flanqueada por muros, lo que constituye un borde imposible de trasponer de un lado al otro de la comunidad. Sin embargo, la gente hizo agujeros en el muro y transita: termina usando como calle los espacios entre el muro y la vía, e inclusive la misma vía, si hasta hay fotos donde se ve cómo circulan en bicicleta por el medio de la vía. Lo que quiero decir es que el muro no sólo no resuelve, sino que crea problemas adicionales. El muro ya es una capitulación por anticipado frente a la posibilidad de pensar alguna armonía entre las partes, algún tipo de convivencia, en el sentido que planteaba Jacques Derrida. El, que casualmente visitó Río poco antes de morir, decía que en el mundo contemporáneo es necesario reaprender a convivir en la diferencia y que esto implica una propedéutica política. Es algo difícil de hacer, pero necesario, y está visto que sin ella sólo se cometen actos innecesarios, como quedó clarísimo con la contramarcha del muro de San Isidro. En el caso argentino, a diferencia de lo que pasa con el muro para evitar el crecimiento de las favelas, hubo una reacción y un cambio de idea. Aquí lo máximo que se sugirió fue que se embelleciera el muro con plantas, que fuera ecológico.</p>
<p><strong>–Pero sigue siendo un muro y permanece la intención de bloquear.</strong></p>
<p>–Porque persiste la idea de que, ya que no podemos tratar con la diferencia, separemos lo que está dividido, acentuemos la división. Pero son cosas que no pueden hacerse sin reflexión: se trata del de-safío de imaginar alternativas.</p>
<p><strong>–Río de Janeiro, Cisjordania, Tijuana, el caso –aunque notablemente de menor escala– de San Isidro: los muros parecerían estar generalizándose.</strong></p>
<p>–Sí. Y si se generaliza como solución, en todo el mundo tal vez empiece a haber ciudades tan feas como San José de Costa Rica, que parece más un campo de concentración que una ciudad: por la calle, sólo hay cercas de hierro y rejas, una contaminación que inclusive reproducen las zonas más desfavorecidas. Eso alimenta la paranoia de la persecución y la inseguridad generalizada, todo el mundo se defiende de todo el mundo. En entornos así, nadie camina por la calle, los desplazamientos sólo son en auto. Es preciso lograr una conjunción de ciudad, urbanidad y espacio público, y si esos factores se combinan con espacios verdes, uno puede decir que está ante un lugar deseable de ser vivido. Un ideal podría ser el estado actual de Palermo –planteado como contenedor físico–, pero integrando clase media, alta, sectores populares: un ambiente donde las diferencias se articulen verdaderamente. No es posible integrar las diferencias, pero sí articularlas a partir de puntos en común. Y hay que lograrlo junto al disfrute de la urbanidad. No se trata de muros, sí de llenar las calles de gente: nada más seguro que una calle llena de gente.</p></div>
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		<title>Justice, Inequality, and Health</title>
		<link>http://dacasinha.wordpress.com/2009/04/10/justice-inequality-and-health/</link>
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		<pubDate>Fri, 10 Apr 2009 21:03:36 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Justiça]]></category>
		<category><![CDATA[injustica social]]></category>
		<category><![CDATA[social injustice]]></category>

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		<description><![CDATA[Image by Quiplash! via Flickr In the ten healthiest counties in the United States, white men have a life expectancy above 76.4 years. By contrast, in the ten least healthy counties, African-American men have a life expectancy of between 61 years Philadelphia and 57.9 years District of Columbia Marmot 2001, 134. On the face of <a href="http://dacasinha.wordpress.com/2009/04/10/justice-inequality-and-health/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=189&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<p>In the ten healthiest counties in the United States, white men have a life expectancy above 76.4 years. By contrast, in the ten least healthy counties, African-American men have a life expectancy of between 61 years Philadelphia and 57.9 years District of Columbia Marmot 2001, 134. On the face of it, this inequality in the life expectancy for American men is seriously unjust. If one turns to the international context, <a class="zem_slink" title="Inequality" rel="wikipedia" href="http://en.wikipedia.org/wiki/Inequality">inequalities</a> in life expectancy of a similar magnitude can be observed even between the bottom countries and the global average: In 27 countries, both male and female life expectancy is 15 years or more below the global life expectancy of 67 years combining males and females; and this average is itself 15 years below life expectancy in Japan, which has the highest national average of all.</p>
<p>more on <a href="http://plato.stanford.edu/entries/justice-inequality-health/" target="_blank">Stanford Encyclopedia of Philosophy</a></p>
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		<title>Cosas de Buenos Aires</title>
		<link>http://dacasinha.wordpress.com/2009/03/18/buenos-aires/</link>
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		<pubDate>Wed, 18 Mar 2009 17:41:49 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Devaneio]]></category>
		<category><![CDATA[argentina]]></category>
		<category><![CDATA[buenos aires]]></category>
		<category><![CDATA[cultura]]></category>

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		<description><![CDATA[Chego ao meu quarto dia de estadia em Buenos Aires. Ainda estou relembrando alguns detalhes e macetes para vivencia e sobrevivencia na cidade, tais como: nao me sentar no primeiro bar ou restarante que me apareca, mas apenas apòs descobrirque nao serei tratado como um grigo idiota com blos cheio de grana (posso ser gringo <a href="http://dacasinha.wordpress.com/2009/03/18/buenos-aires/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=185&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Chego ao meu quarto dia de estadia em Buenos Aires. Ainda estou relembrando alguns detalhes e macetes para vivencia e sobrevivencia na cidade, tais como: nao me sentar no primeiro bar ou restarante que me apareca, mas apenas apòs descobrirque nao serei tratado como um grigo idiota com blos cheio de grana (posso ser gringo e idiota,  mas muita grana è o que nao tenho) ou que nao é um lugar onde a gorjeta nao me consumirà mais que o que comsumirei no local; olhar bem no mapa (de papel ou mental)  se vale a pena seguir os conselhos da rua de pegar um onibus tal para certo lugar ao inves de pipocar  de estacao em estacao no subte (o que me incomoda menos que o sacolejo e calor dos onibus); que nao preciso sair com muito medo de me perder, pois os portenhos sao amaveis o suficiente para quser levar qualquer um onde se precisa chegar; que è melhor levar uma garafa de agua para a rua que ficar comprando qualquer bebida en la calle, pois lìquido por aqui custa quase tanto quanto a comida; que corro o risco de morrer em alguns dias de infarto por comer o tìpico prato de carne com carne; de treinar meu paladar para empanadas (que, para mim, e com todo respeito aos argentinos, deveriam ser ums dos motivos de glória nacional), pois é corrível o risco de ter o corpo o corpo e mente movidos por elas; que as argentinas tem mesmo a bunda diferente das brasileiras e que por isso faz-se necessária certa reflexao acerca da história da constituicao genética de las hermanas para que nao me bata nostalgia; de entrar em qualquer banco preparado para esperar calmamente por uma hora em pé para ser atendido; fingir que nao vi o atendente ou garcom de qualquer estabelecimento comercial fingiu que nao me viu só para me fazer esperar por mais alguns segundos/minutos; que nao é preciso pensar muito para ir a Corrientes comprar um livro ou papear com os vendedores, pois, em geral, também sao leitores, coisa que nao è muito comum no Brasil;  que em geral os taxistas têm algo de interessantes para informar, como uma pelicula, peca de teatro, um edificio com historia ou arquitetura interesante; e etc.</p>
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		<title>Links para pdfs de Lewis Caroll</title>
		<link>http://dacasinha.wordpress.com/2009/03/08/links-para-pdfs-de-lewis-caroll/</link>
		<comments>http://dacasinha.wordpress.com/2009/03/08/links-para-pdfs-de-lewis-caroll/#comments</comments>
		<pubDate>Sun, 08 Mar 2009 03:16:33 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Devaneio]]></category>
		<category><![CDATA[Alice]]></category>
		<category><![CDATA[Alice's Adventures in Wonderland]]></category>
		<category><![CDATA[archive.org]]></category>
		<category><![CDATA[Hunting of the Snark]]></category>
		<category><![CDATA[Lewis Carroll]]></category>
		<category><![CDATA[The hunting of the snark: An agony in eight fits]]></category>
		<category><![CDATA[Through the Looking-Glass]]></category>

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		<description><![CDATA[Lewis Carroll (via last.fm) A Tangled Tale (1885) http://www.archive.org/details/letangledta00carrrich Sylvie and Bruno concluded (1893) http://www.archive.org/details/sylviebrunoconcl00carrrich Alice&#8216;s Adventures in Wonderland &#38; Through the Looking Glass: What Alice Found There http://www.archive.org/details/alicesadventures00carr The Hunting of the Snark: An Agony in Eight Fits (1876) http://www.archive.org/details/huntingofsnarkan00carruoft Phantasmagoria and Other Poems (1919) http://www.archive.org/details/phantasmagoriaot00carr The Game of Logic (1887) http://www.archive.org/details/gameoflogic00carrrich Rhyme? and <a href="http://dacasinha.wordpress.com/2009/03/08/links-para-pdfs-de-lewis-caroll/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=181&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div class="zemanta-img" style="display:block;margin:1em;">
<div>
<dl class="wp-caption alignright">
<dt class="wp-caption-dt"><a href="http://www.last.fm/music/Lewis%2BCarroll"><img title="Lewis Carroll" src="http://userserve-ak.last.fm/serve/126/402110.jpg" alt="Lewis Carroll" /></a></dt>
<dd class="wp-caption-dd zemanta-img-attribution"><a href="http://www.last.fm/music/Lewis%2BCarroll">Lewis Carroll</a> (via <a href="http://www.lasftm.com">last.fm</a>)</dd>
</dl>
</div>
</div>
<p><a class="zem_slink" title="A Tangled Tale" rel="wikipedia" href="http://en.wikipedia.org/wiki/A_Tangled_Tale">A Tangled Tale</a> (1885)<br />
<a rel="nofollow" href="http://www.archive.org/details/letangledta00carrrich" target="_blank">http://www.archive.org/details/letangledta00carrrich</a></p>
<p><a onclick="return mugicPopWin(this,event);" oncontextmenu="mugicRightClick(this);" class="zem_slink" title="Sylvie and Bruno (Nonsuch Classics)" rel="amazon" href="http://www.amazon.com/Sylvie-Bruno-Nonsuch-Classics-Carroll/dp/1845882350%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1845882350">Sylvie and Bruno</a> concluded (1893)<br />
<a rel="nofollow" href="http://www.archive.org/details/sylviebrunoconcl00carrrich" target="_blank">http://www.archive.org/details/sylviebrunoconcl00carrrich</a></p>
<p><a class="zem_slink" title="Alice's Adventures in Wonderland" rel="wikipedia" href="http://en.wikipedia.org/wiki/Alice%27s_Adventures_in_Wonderland">Alice</a>&#8216;s Adventures in Wonderland &amp; <a onclick="return mugicPopWin(this,event);" oncontextmenu="mugicRightClick(this);" class="zem_slink" title="Through the Looking-Glass" rel="amazon" href="http://www.amazon.com/Through-Looking-Glass-Lewis-Carroll/dp/9562919757%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D9562919757">Through the Looking Glass</a>: What Alice Found There<br />
<a rel="nofollow" href="http://www.archive.org/details/alicesadventures00carr" target="_blank">http://www.archive.org/details/alicesadventures00carr</a></p>
<p><a onclick="return mugicPopWin(this,event);" oncontextmenu="mugicRightClick(this);" class="zem_slink" title="The hunting of the snark: An agony in eight fits" rel="amazon" href="http://www.amazon.com/gp/redirect.html%3FASIN=051752399X%26tag%3Dzemanta-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/051752399X%253FSubscriptionId=0G81C5DAZ03ZR9WH9X82">The Hunting of the Snark: An Agony in Eight Fits</a> (1876)<br />
<a rel="nofollow" href="http://www.archive.org/details/huntingofsnarkan00carruoft" target="_blank">http://www.archive.org/details/huntingofsnarkan00carruoft</a></p>
<p><a onclick="return mugicPopWin(this,event);" oncontextmenu="mugicRightClick(this);" class="zem_slink" title="Phantasmagoria (Literary Classics)" rel="amazon" href="http://www.amazon.com/Phantasmagoria-Literary-Classics-Lewis-Carroll/dp/1573922528%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1573922528">Phantasmagoria</a> and Other Poems (1919)<br />
<a rel="nofollow" href="http://www.archive.org/details/phantasmagoriaot00carr" target="_blank">http://www.archive.org/details/phantasmagoriaot00carr</a></p>
<p>The Game of Logic (1887)<br />
<a rel="nofollow" href="http://www.archive.org/details/gameoflogic00carrrich" target="_blank">http://www.archive.org/details/gameoflogic00carrrich</a></p>
<p>Rhyme? and Reason? (1883)<br />
<a rel="nofollow" href="http://www.archive.org/details/rhymereason00carrrich" target="_blank">http://www.archive.org/details/rhymereason00carrrich</a></p>
<p>The <a class="zem_slink" title="Lewis Carroll" rel="wikipedia" href="http://en.wikipedia.org/wiki/Lewis_Carroll">Lewis  Carroll</a> Picture Book; edited by Stuart Dodgson Collingwood (1899)</p>
<p><a rel="nofollow" href="http://www.archive.org/details/lewiscarrollpict00carruoft" target="_blank">http://www.archive.org/details/lewiscarrollpict00carruoft</a></p>
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			<media:title type="html">Vicente</media:title>
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			<media:title type="html">Lewis Carroll</media:title>
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		<title>Knots by  Ronnie D. Laing</title>
		<link>http://dacasinha.wordpress.com/2009/03/06/knots-by%c2%a0-ronnie-d-laing/</link>
		<comments>http://dacasinha.wordpress.com/2009/03/06/knots-by%c2%a0-ronnie-d-laing/#comments</comments>
		<pubDate>Fri, 06 Mar 2009 03:14:38 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Devaneio]]></category>
		<category><![CDATA[Knots]]></category>
		<category><![CDATA[Ronnie Laing]]></category>

		<guid isPermaLink="false">http://dacasinha.wordpress.com/?p=178</guid>
		<description><![CDATA[Image via Wikipedia There must be something the matter with him because he would not be acting as he does unless there was therefore he is acting as he is because there is something the matter with him He does not think there is anything the matter with him because one of the things that <a href="http://dacasinha.wordpress.com/2009/03/06/knots-by%c2%a0-ronnie-d-laing/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=178&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<dl class="wp-caption alignright">
<dt class="wp-caption-dt"><a href="http://commons.wikipedia.org/wiki/Image:Ronald_D._Laing.jpg"><img title="R.D." src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Ronald_D._Laing.jpg/202px-Ronald_D._Laing.jpg" alt="R.D." width="202" height="299" /></a></dt>
<dd class="wp-caption-dd zemanta-img-attribution">Image via <a href="http://commons.wikipedia.org/wiki/Image:Ronald_D._Laing.jpg">Wikipedia</a></dd>
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<p>There must be something the matter with him</p>
<p>because he would not be acting as he does</p>
<p>unless there was</p>
<p>therefore he is acting as he is</p>
<p>because there is something the matter with him</p>
<p>He does not think there is anything the matter with him</p>
<p>because</p>
<p>one of the things that is</p>
<p>the matter with him</p>
<p>is that he does not think that there is anything</p>
<p>the matter with him</p>
<p>therefore</p>
<p>we have to help him realize that,</p>
<p>the fact that he does not think there is anything</p>
<p>the matter with him</p>
<p>is one of the things that is</p>
<p>the matter with him</p>
<p>there is something the matter with him</p>
<p>because he thinks</p>
<p>there must be something the matter with us</p>
<p>for trying to help him to see</p>
<p>that there must be something the matter with him</p>
<p>to think that tere is omething the matter with us</p>
<p>for trying to help him to see that</p>
<p>we are helping him</p>
<p>to see that</p>
<p>we are not persecuting him</p>
<p>by helping him</p>
<p>to see we are not persecuting him</p>
<p>by helping him</p>
<p>to see that</p>
<p>he is refusing to see</p>
<p>that there is something the matter with</p>
<p>him</p>
<p>for not seing there is something the matter</p>
<p>with him</p>
<p>for not being grateful to us</p>
<p>for at least trying to help him</p>
<p>to see that there is something the matter with</p>
<p>him</p>
<p>for not seeing that must be something the</p>
<p>matter with him</p>
<p>for not seeing that there must be something the</p>
<p>matter with him</p>
<p>for not seeing that there is something the</p>
<p>matter with him</p>
<p>for not seeing that there is something the</p>
<p>matter with him</p>
<p>for not being grateful</p>
<p>that we never tried to make him</p>
<p>feel grateful</p>
<p><a href="http://www.oikos.org/knotsen1.htm">Knots by  Ronnie D. Laing</a>.</p>
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			<media:title type="html">R.D.</media:title>
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		<title>El escritor y los viajes</title>
		<link>http://dacasinha.wordpress.com/2009/03/04/el-escritor-y-los-viajes/</link>
		<comments>http://dacasinha.wordpress.com/2009/03/04/el-escritor-y-los-viajes/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 02:27:19 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Devaneio]]></category>
		<category><![CDATA[Ernesto Sabato]]></category>
		<category><![CDATA[escrever]]></category>
		<category><![CDATA[infancia]]></category>
		<category><![CDATA[viajar]]></category>

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		<description><![CDATA[Image via Wikipedia Para bien y para mal, el escritor verdadeiro escribe sobre la realidad que ha sufrido y mamado, es decir sobre la patria; aunque a veces parezca hacerlo sobre historias lejanas en el tiempo y en el espacio. Creo que Baudelaire dijo que la patria es la infancia. Y me parece difícil escribir <a href="http://dacasinha.wordpress.com/2009/03/04/el-escritor-y-los-viajes/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=173&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<dt class="wp-caption-dt"><a href="http://commons.wikipedia.org/wiki/Image:Ernesto_S%C3%A1bato_circa_1972.jpg"><img title="Ernesto Sabato" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Ernesto_S%C3%A1bato_circa_1972.jpg/202px-Ernesto_S%C3%A1bato_circa_1972.jpg" alt="Ernesto Sabato" width="202" height="190" /></a></dt>
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<p style="text-align:justify;"><em>Para bien y para mal, el escritor verdadeiro escribe sobre la realidad que ha sufrido y mamado, es decir sobre la patria; aunque a veces parezca hacerlo sobre historias lejanas en el tiempo y en el espacio. Creo que <a onclick="return mugicPopWin(this,event);" oncontextmenu="mugicRightClick(this);" class="zem_slink" title="Baudelaire" rel="amazon" href="http://www.amazon.com/gp/redirect.html%3FASIN=0404163467%26tag%3Dzemanta-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/Baudelaire-Philippe-Soupault/dp/0404163467%253FSubscriptionId=0G81C5DAZ03ZR9WH9X82">Baudelaire</a> dijo que la patria es la infancia. Y me parece difícil escribir algo profundo que no esté unido de una manera abierta o enmarañada a la infancia. Por eso aun los grandes expatriados, como Ibsen o Joyce, siguieron tejiendo y destejiendo esa misma y misteriosa trama. Viajar es siempre un poco superficial. El escritor del nuestro tiempo debe ahondar en la realidad. Y si viaja debe ser para ahondar, paradojalmente, en el lugar y en los seres de su propio rincón.</em></p>
<p><em>El escritor y sus fantasmas &#8211; </em><a class="zem_slink" title="Ernesto Sabato" rel="wikipedia" href="http://en.wikipedia.org/wiki/Ernesto_Sabato">Ernesto Sabato</a></p>
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		<title>Jefferson Airplane &#8211; White Rabbit</title>
		<link>http://dacasinha.wordpress.com/2009/03/01/jefferson-airplane-white-rabbit/</link>
		<comments>http://dacasinha.wordpress.com/2009/03/01/jefferson-airplane-white-rabbit/#comments</comments>
		<pubDate>Sun, 01 Mar 2009 22:03:21 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[jeferson airplane]]></category>
		<category><![CDATA[psycodelics]]></category>
		<category><![CDATA[white rabbit]]></category>

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		<description><![CDATA[Image via Wikipedia Não há como ouvir White Rabbit e não se arrepiar. Abaixo a tradução da letra da música. Se não souber como fazer a cabeça, pergunte à Alice. White Rabbit (tradução) Jefferson Airplane Coelho Branco Uma pílula deixa você grande E uma pílula deixa você pequeno E aquelas que a sua mãe lhe <a href="http://dacasinha.wordpress.com/2009/03/01/jefferson-airplane-white-rabbit/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=170&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<dt class="wp-caption-dt"><a href="http://en.wikipedia.org/wiki/Image:JA_Essential.jpg"><img title="The Essential Jefferson Airplane album cover" src="http://upload.wikimedia.org/wikipedia/en/thumb/3/30/JA_Essential.jpg/202px-JA_Essential.jpg" alt="The Essential Jefferson Airplane album cover" width="202" height="202" /></a></dt>
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<p>Não há como ouvir <a class="zem_slink" title="White Rabbit" rel="wikipedia" href="http://en.wikipedia.org/wiki/White_Rabbit">White Rabbit</a> e não se arrepiar. Abaixo a tradução da letra da música. Se não souber como fazer a cabeça, pergunte à <a class="zem_slink" title="Alice (Alice's Adventures in Wonderland)" rel="wikipedia" href="http://en.wikipedia.org/wiki/Alice_%28Alice%27s_Adventures_in_Wonderland%29">Alice</a>.</p>
<h2>White Rabbit (tradução)</h2>
<h2><a class="zem_slink" title="Jefferson Airplane" rel="homepage" href="http://www.jeffersonairplane.com/">Jefferson Airplane</a></h2>
<p>Coelho Branco</p>
<p>Uma pílula deixa você grande<br />
E uma pílula deixa você pequeno<br />
E aquelas que a sua mãe lhe dá<br />
Não fazem efeito algum.<br />
Pergunte à Alice<br />
Quando ela estiver alta<br />
E se você for caçar coelhos,<br />
E souber que irá falhar,<br />
Mostre a eles que uma lagarta fumando &#8220;<a class="zem_slink" title="Hookah" rel="wikipedia" href="http://en.wikipedia.org/wiki/Hookah">Hookah</a>&#8220;*<br />
Tem feito o chamado para você.</p>
<p>Chame a Alice<br />
Quando ela estiver apenas pequena.<br />
Quando os homens no tabuleiro de xadrez<br />
Levantarem e lhe disserem onde ir,<br />
E você consumira há pouco um tipo de cogumelo<br />
E sua mente estiver movendo-se lentamente,<br />
Pergunte à Alice;<br />
Eu acho que ela saberá.<br />
Quando lógica e proporção<br />
Tiverem caído por terra<br />
E o Cavaleiro Branco estiver falando ao contrário<br />
E a rainha vermelha &#8220;corte a cabeça dela!&#8221;<br />
Lembre-se o que o rato silvestre disse:<br />
&#8220;Alimente sua cabeça. Alimente sua cabeça.&#8221;</p>
<p>*Hookah = Narguilé.</p>
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		<title>FHC no Hard Talk</title>
		<link>http://dacasinha.wordpress.com/2009/03/01/fhc-hard-talk-stephen-sackur/</link>
		<comments>http://dacasinha.wordpress.com/2009/03/01/fhc-hard-talk-stephen-sackur/#comments</comments>
		<pubDate>Sun, 01 Mar 2009 01:02:43 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Mídia]]></category>
		<category><![CDATA[Política]]></category>
		<category><![CDATA[entrevista]]></category>
		<category><![CDATA[FHC]]></category>
		<category><![CDATA[HARDtalk]]></category>
		<category><![CDATA[Stephen Sackur]]></category>
		<category><![CDATA[Television]]></category>

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		<description><![CDATA[Image via Wikipedia Faz um ano que a entrevista foi concedida ao Hard Talk, que possui um grande entrevistador, Stephen Sackur, que é um chato mesmo. No Brasil, possivelmente teria sua carteirinha de jornalista cassada. Isso porque faz o que simplesmente um entrevistador da sua área, de política, deveria fazer. Isto é, fazer, no processo <a href="http://dacasinha.wordpress.com/2009/03/01/fhc-hard-talk-stephen-sackur/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=162&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<dt class="wp-caption-dt"><a href="http://en.wikipedia.org/wiki/Image:HARDtalk-tudio.jpg"><img title="The current Hardtalk studio" src="http://upload.wikimedia.org/wikipedia/en/thumb/4/43/HARDtalk-tudio.jpg/202px-HARDtalk-tudio.jpg" alt="The current Hardtalk studio" width="202" height="113" /></a></dt>
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<p style="text-align:justify;">Faz um ano que a entrevista foi concedida ao <a href="http://news.bbc.co.uk/2/hi/programmes/hardtalk/default.stm" target="_blank">Hard Talk</a>, que possui um grande entrevistador, <a class="zem_slink" title="Stephen Sackur" rel="wikipedia" href="http://en.wikipedia.org/wiki/Stephen_Sackur">Stephen Sackur</a>, que é um chato mesmo. No Brasil, possivelmente teria sua carteirinha de jornalista cassada. Isso porque faz o que simplesmente um entrevistador da sua área, de política, deveria fazer. Isto é, fazer, no processo do diálogo, protuberar o &#8220;não-dito&#8221;, espremer as palavras do interlocutor-autoridade de modo que saiam da boca deste aquelas sobre si, que muita gente já pronunciou pelo conhecimento dos meros fatos; quando não se chega a isso, conseguir proporcionar ao telespectador o prazer em ver o entrevistado encuralado, contorcido,  bloqueado, desorientado.</p>
<p style="text-align:justify;">No Brasil, o senhor Stephen Sackur seria o rísivel, e sua profissionalidade, o exemplo do que um entrevistador não deveria sanamente fazer. Não seria Stephen Sackur, pois sequer é possível que tal figura exista no nosso país. Mais triste é que ele sequer é radical. NO entanto, o ponto de partida para se considerar alguém como radical no nosso país é apenas o comportamento que não é &#8220;politicamente correto&#8221;. A esfera da sanidade social, no Brasil, gira entorno do apolítico por excelência.</p>
<p style="text-align:justify;">Por isso vale a pena rever a entrevista de FHC, um a mais na lista dos colonizados <em>tornados</em> presidentes, ao Hard Talk. Um tipo de programa que, otimisticamente, só poderei assistir em um canal brasileiro em algum par de décadas.</p>
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		<title>Backwardness has moved to Davos</title>
		<link>http://dacasinha.wordpress.com/2009/01/27/backwardness-davos-world-social-forum-belem/</link>
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		<pubDate>Tue, 27 Jan 2009 13:50:47 +0000</pubDate>
		<dc:creator>Vicente</dc:creator>
				<category><![CDATA[Brazilian Economy]]></category>
		<category><![CDATA[International Politics]]></category>
		<category><![CDATA[Belém]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[Davos]]></category>
		<category><![CDATA[Globalization]]></category>
		<category><![CDATA[Porto Alegre]]></category>
		<category><![CDATA[World Social Forum]]></category>

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		<description><![CDATA[By RS Urgente Belem sees, in a very peculiar way, the atmosphere that Porto Alegre met in 2001, when received for the first time the World Social Forum. There are, for sure, important differences. One of them is not a detail: the world has changed. When WSF was born, as a counterpoint to the World <a href="http://dacasinha.wordpress.com/2009/01/27/backwardness-davos-world-social-forum-belem/" class="excerpt-more-link">[&#8230;]</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=dacasinha.wordpress.com&amp;blog=5002494&amp;post=142&amp;subd=dacasinha&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-143 alignright" title="fsm2009amazonia" src="http://dacasinha.files.wordpress.com/2009/01/fsm2009amazonia.jpg?w=230&#038;h=167" alt="fsm2009amazonia" width="230" height="167" /></p>
<p style="text-align:justify;">By <a href="http://www.rsurgente.net">RS Urgente</a></p>
<p style="text-align:justify;">Belem sees, in a very peculiar way, the atmosphere that <a class="zem_slink" title="Porto Alegre" rel="geolocation" href="http://maps.google.com/maps?ll=-30.0330555556,-51.23&amp;spn=0.1,0.1&amp;q=-30.0330555556,-51.23%20%28Porto%20Alegre%29&amp;t=h">Porto Alegre</a> met in 2001, when received for the first time the <a class="zem_slink" title="World Social Forum" rel="homepage" href="http://www.forumsocialmundial.org.br/">World Social Forum</a>. There are, for sure, important differences. One of them is not a detail: the world has changed. When WSF was born, as a counterpoint to the <a class="zem_slink" title="World Economic Forum" rel="wikipedia" href="http://en.wikipedia.org/wiki/World_Economic_Forum">World Economic Forum</a> in Davos, globalization still used to be sung in prose and verse, and its critics, rated as anachronistic, enemies of technology and fools. At the time, the then Brazilian president <a class="zem_slink" title="Fernando Henrique Cardoso" rel="wikipedia" href="http://en.wikipedia.org/wiki/Fernando_Henrique_Cardoso">Fernando Henrique Cardoso</a> even wrote an article calling luddites the organizers and participants of the Forum (referring to the English workers’ movement in early nineteenth century, which used to destroy the machinery for fear losing their jobs for them).<span id="more-142"></span></p>
<p style="text-align:justify;">The supposed progress of market globalization were presented as inevitable and necessary to the prosperity of nations. Eight years later, neoliberal mantras not only lost strength but are also covered by heavy clouds of suspicion and distrust. From 2001 to 2009, market optimism and euphoria changed into affliction and lamentation.</p>
<p style="text-align:justify;">There is, however, an atmosphere of novelty surrounding the WSF 2009. The world has changed, after all. And there is a great novelty as well to the paraenses, who are receiving for the first time the Forum. At hotels, streets and restaurants of <a class="zem_slink" title="Belém" rel="wikipedia" href="http://en.wikipedia.org/wiki/Bel%C3%A9m">Belém</a>, English, French, German, among other languages begin to be heard. Such polyphony, however, is not even news in a State in which 60 languages are spoken. The polyglot Amazon is going to meet with other languages and parts of the world, and vice-versa.</p>
<p style="text-align:justify;">Conservative voices in the city, as occurred in Porto Alegre, in 2001, speak about the possibility of chaos taking over Belém. There is, beyond doubt, a chaotic dimension in the WSF, but it is an extremely creative chaos. One of the greatest expressions of this creativity is the capacity that the Forum had, since 2001, to anticipate diagnostics and analysis that ended up being confirmed by reality. The lack of control of the market, the maddened and maddening free circulation of financial capital, the environmental destruction by the commoditization of the world, the energetic crisis and the growing militarization of the political agenda of nations are some examples.</p>
<p style="text-align:justify;">Belém will have the opportunity to witness and formulate some of the first great synthesis of the world leftist about the crisis that highlights the beginning of 2009: economic, political, environmental and energetic crisis. And this in very different global environment than that one that took place in the birth of the Forum. This novelty, by itself, already represents a great challenge to the movement, which, in refusing the policies and principles of neoliberal globalization, has launched ideas and proposals that today no longer receive the label of anachronistic. Anachronism, today, has moved to the cold mountains of Davos.</p>
<p style="text-align:justify;">Translated from Portuguese (for the translation, please see About page)<br />
For the Original Text in Portuguese click <a href="http://www.rsurgente.net/2009/01/o-atraso-se-mudou-para-davos.html">here</a></p>
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